35mm 흑백 거리 스냅

프롬프트 원문

[Input]
- language: Korean
- output_size: 1536x1024

[Purpose]
35mm black-and-white street snapshot for photo-book, blog, and magazine use.
Documentary urban scene with candid human presence, emphasizing lived-in city texture, natural street density, and analog authenticity.

[Composition]
- Frame the scene in a 3:2 landscape composition, with the main figure placed on the left or right third and the rest of the frame filled by real street life, signage, reflections, architecture, and small everyday details.
- Set the location and moment using {장면}, keeping the subject unposed and partially turned away, with {모티프 변주} as the visual variation.
- Build strong depth from foreground street texture to midground subject and background shopfronts, bus-stop elements, posters, utility poles, umbrellas, bicycles, delivery scooters, or passing pedestrians.
- Keep the figure non-identifiable from the front; prefer back view, side profile, partial silhouette, umbrella-obscured face, motion blur, or reflection-based framing to maintain privacy.

[3. CORE STRUCTURE]
- Background layer: Build a real urban street environment matching {장면}, with wet pavement reflections, worn curb paint, stacked crates, shop awnings, handwritten notices, menu boards, window stickers, cables, traffic mirrors, crosswalk markings, and weathered building surfaces that feel observed rather than staged.
- Street text layer: Include natural Korean signage only where it belongs in the environment, such as “분식”, “커피”, “세탁”, “24시”, “오늘의 메뉴”, “우산 판매”, “버스정류장”, or a small posted notice like “임시휴무”; these must look printed, painted, or handwritten in the scene, not added as graphic overlays.
- Subject layer: Place one anonymous person as the visual anchor, positioned according to {구도}, with candid body language such as waiting, walking through rain, checking a bag, crossing the street, looking into a shop window, or pausing under an awning.
- Human environment layer: Add secondary passersby as blurred silhouettes or cropped partial figures, plus traces of daily life such as steam from a food stall, rain droplets on glass, a folded newspaper, plastic stools, a delivery helmet, or a bus arriving in the distance.
- Camera look: Render as {카메라·렌즈}, with visible 35mm documentary framing, slight grain, modest edge falloff, handheld imperfection, and natural motion character.
- Tonal layer: Apply {필름·톤} so blacks stay rich, midtones remain textured, skin and fabric tones translate naturally into grayscale, and bright signs or reflections retain detail.
- Light layer: Use {라이팅} with realistic shadow density, ambient bounce from storefronts and pavement, and documentary naturalism.
- Editorial layer: Keep the image suitable for photo essays and magazine spreads, aligned with {무드}, with enough authentic detail to reward close viewing.

[4. STYLE RULES]
- Typography: no designed caption blocks or editorial text overlays; allow real-world Korean street typography embedded in signs, stickers, posters, menus, license plates, or shop windows.
- Color palette: pure black, charcoal gray, silver gray, wet asphalt gray, fog white; if any color bleed appears, keep it muted and subordinate to monochrome realism.
- Film edge: if a print-like edge appears, use subtle darkroom scan falloff, slight gate shadow, or contact-sheet irregularity that feels photographic rather than graphic.
- Texture realism: emphasize damp concrete, scratched glass, corrugated shutters, peeling paper, fabric folds, rain speckles, scuffed shoes, and reflected streetlights in grayscale.

[5. VISUAL STYLE]
- Camera / lens: Leica M6, Summicron 35mm f/2, Kodak Tri-X 400 look, 1/125s, f/4, handheld street photography perspective.
- Lighting: natural light only; overcast diffused daylight or side light, with soft contrast, ambient storefront glow if appropriate, and no artificial fill or flash.
- Color grade: monochrome Tri-X classic grade, deep blacks, clean midtones, detailed shadows, fine silver grain, restrained highlight roll-off.
- Optics: realistic 35mm perspective with mild barrel character, imperfect focus falloff, slight motion softness on moving pedestrians, and crisp tactile detail where the focal plane lands.

[6. MOOD]
Magnum contact-sheet realism — Henri Cartier-Bresson street photography sensibility with a classic documentary press-photo feel, but grounded in a dense contemporary Korean street moment shaped by {무드}.

[7. CRITICAL]
- Korean text accuracy: any visible Korean signage or notices must be legible and natural, using short real-world phrases such as “분식”, “커피”, “세탁”, “오늘의 메뉴”, “임시휴무”, or “버스정류장”; avoid random or broken characters.
- Keep the subject anonymous and non-identifiable from the front; do not create a recognizable portrait or front-facing close-up.
- Maintain a believable 35mm street-photo candid look with no polished advertising composition and no obvious digital retouching.
- Preserve the requested {장면}, {구도}, {카메라·렌즈}, {필름·톤}, {라이팅}, {무드}, and {모티프 변주} as the dominant creative instructions.

[8. 🚫 PROHIBITED]
- Fake official seals / certifications
- Broken Korean characters
- Celebrity composites / unauthorized recognizable likeness