모션 블러 시네마틱 사진

プロンプト原文

[Input]
- language: Korean
- output_size: 1536x1024

[Purpose]
Cinematic motion-blur photography for dramatic real-world scenes, built for poster-style visuals and social-media hero images.
A dynamic still that feels like a single frame pulled from a film, with streaked light, controlled blur, believable location detail, and a clear photographic exposure logic.

[Composition]
- Main subject placement: place the moving subject or light trail across the center third, with strong diagonal flow cutting from lower-left to upper-right or vice versa.
- Background treatment: keep {배경·환경} recognizable through real location cues such as road markings, storefront lights, bus-stop glass, traffic signals, railings, wet pavement, distant windows, mist, foliage, rocks, spray, or other scene-appropriate textures softened by motion streaks.
- Framing direction: wide cinematic framing in 16:9 landscape, using foreground reflections and midground action to create depth; use a vertical 9:16 crop only if the motion path benefits from a taller composition.
- Motion treatment: use {장면 모드} as the central action, with {셔터스피드} to create controlled blur while keeping one anchor edge, face contour, vehicle profile, wheel shape, silhouette, or environmental landmark readable.
- Realistic incidental detail: include natural supporting elements such as pedestrians in partial blur, parked scooters, taxi lights, rain droplets on asphalt, crosswalk stripes, small shop signs, lens flare from headlights, puddle reflections, exhaust haze, or drifting spray when appropriate to {배경·환경}.

[Core Structure]
- Layer 1, base scene: build the environment from {배경·환경} with realistic depth, tactile surfaces, reflective highlights, atmospheric separation, and small lived-in details that make the place feel photographed rather than staged.
- Layer 2, motion subject: render the moving car, cyclist, person, train, rain, river, crowd, or waterfall implied by {장면 모드} as the main kinetic element, with clear directional blur rather than random smear.
- Layer 3, exposure behavior: apply {셔터스피드} logic so the brightest trails remain smooth and continuous, while key edges retain enough structure to read the scene.
- Layer 4, camera behavior: simulate {카메라·렌즈} with a stabilized, deliberate photographic feel; keep perspective natural and let panning, tripod long exposure, or handheld drag-shutter behavior match the chosen motion.
- Layer 5, light streaks: let {라이팅} stretch into elegant lines, reflections, rim highlights, wet-surface glints, and controlled bloom around headlights, neon edges, windows, signs, street lamps, or backlit mist.
- Layer 6, color design: push {컬러 톤} into a filmic grade with deep blacks, controlled midtone contrast, and a restrained highlight roll-off.
- Layer 7, final composition polish: make the motion path the strongest visual read while allowing believable secondary details in the background and foreground to add scale, place, and cinematic realism.

[Style Rules]
- Typography: do not add poster typography as a graphic overlay unless the scene naturally contains signage; if environmental Korean text appears on shop signs, bus stops, taxis, posters, or street boards, keep it short and readable, for example “심야운행”, “서울역”, “24시”, “택시”, “출구”, “오늘 밤”.
- Color palette: base the grade on {컬러 톤}; support with deep charcoal #10131A, electric blue #2C6BFF, neon magenta #FF4FD8, amber #FFB347, and muted steel gray #6B7280 as needed.
- Border/shadow: use a subtle 2–4px vignette and soft tonal falloff, with gentle bloom on highlight sources, natural halation, realistic grain, and smooth cinematic contrast.
- Surface realism: preserve tactile materials such as wet asphalt, brushed metal, glass reflections, fabric movement, tire spray, stone, concrete, leaves, or water foam depending on {배경·환경}.

[Visual Style]
- Camera / lens: emulate a Sony A7R V look with a 24-70mm f/2.8 GM at 35mm, ISO 100, f/11 for long exposure scenes, or handheld 1/30 for panning-style motion blur.
- Lighting: combine city neon, street lamps, moonlight, interior window glow, vehicle headlights, reflections, and off-frame practical lights so the light stretches naturally with the movement.
- Color grade: cinematic teal-orange or Cinestill 800T-inspired grading, with rich shadows, slightly cool blacks, restrained warm highlights, subtle film grain, and believable highlight halation.
- Photographic detail: include realistic lens behavior such as mild flare, sensor-level noise in shadows, specular streaking, depth layering, and slight edge softness from long exposure rather than synthetic smearing.

[Mood]
A film-still-like cinematic frame with the kinetic tension of a Denis Villeneuve night chase sequence and the color density of modern noir photography, grounded in real street atmosphere, weather, reflections, and human-scale environmental detail.

[Critical]
- Korean text accuracy: if Korean signage or environmental text appears in the rendered image, it must be legible and simple, using short phrases such as “심야운행”, “서울역”, “24시”, “택시”, “출구”, “오늘 밤”, with no broken or garbled characters.
- Motion anatomy/layout invariants: the blur must still read as intentional photographic motion, not AI smear; keep the dominant motion path coherent and directional.
- Preserve a believable exposure structure with one clear visual anchor, whether the scene is a car trail, runner blur, rain streak, train pass, crowd motion, cyclist pan, or waterfall silk effect.
- Maintain the exact intent of {장면 모드}, {셔터스피드}, {구도}, {카메라·렌즈}, {라이팅}, {컬러 톤}, and {배경·환경}; enrich the photographed world around those values without changing the subject.

[8. 🚫 PROHIBITED]
- Fake official seals / certifications
- Broken Korean characters